Article section
Dehumanization in Modern Literary Criticism: Under the Ylang-Ylang Tree and A Little Joke
Abstract
This article applies the system of three methods, including literary comparison, structural analysis, and cultural history, to clarify the dehumanization towards sustainable development trend in modern literary criticism, specifically feminist criticism, ecological criticism, and landscape criticism. This trend is characterized by three qualities: the blurring of the central personal sensibility, the connection to the changing context and thinking, and the awareness of the inevitable binding correlation between human and nature. These arguments are experimentally verified through the short stories Under the Shadow of the Ylang-ylang Tree (Thach Lam) and A Little Joke (Anton Chekhov). The research results can be applied to the research and teaching of literary theory, and Vietnamese literature at the university level, and high school level, in line with the direction of the 2018 literature program renewal.
Keywords:
A Little Joke Dehumanization Ecocriticism Feminism Landscape Criticism Under The Shadow of The Ylang-Ylang Tree
Article information
Journal
Journal of Sustainable Research and Development
Volume (Issue)
1(1), (2025)
Pages
31-38
Published
Copyright
Copyright (c) 2025 Nguyen Thanh Trung (Author)
Open access

This work is licensed under a Creative Commons Attribution 4.0 International License.
How to Cite
References
Beauvoir, S. de. (1949). The second sex [Le deuxième sexe] (N. T. Định & Đ. N. Thanh, Trans.). Hanoi, Vietnam: Phụ nữ Publisher.
Bourdieu, P. (1998). Masculine domination [La domination masculine] (L. H. Sâm, Trans.). Hanoi, Vietnam: Tri thức Publisher.
Buell, L. (1995). The environmental imagination: Thoreau, nature writing, and the formation of American culture. Cambridge, MA: Harvard University Press.
Bùi, M. H. (2022). Ngữ văn 10 [Linguistic and literature 10], Vol. 2 (Connecting knowledge with life [Kết nối tri thức với cuộc sống]). Ho Chi Minh City, Vietnam: Giáo dục Việt Nam Publisher.
Bùi, T. T., & Others. (2018). Ecocriticism with Vietnamese Southern prose [Phê bình sinh thái với văn xuôi Nam Bộ]. Ho Chi Minh City, Vietnam: Ho Chi Minh City Art Publisher.
Communist Party of Vietnam. (2011). Documents of the 11th National Congress [Văn kiện Đại hội đại biểu toàn quốc lần thứ XI]. Hanoi, Vietnam: The National Political Publishing House.
Glotfelty, C., & Fromm, H. (Eds.). (1996). The ecocriticism reader: Landmarks in literary ecology. Athens, GA: University of Georgia Press.
Hoàng, T. M., & Others. (2017). What is ecocriticism? [Phê bình sinh thái là gì?]. Hanoi, Vietnam: Hội Nhà văn Publisher.
Hồ, T. X. Q. (2019). The Vietnamese characteristics in Thạch Lam’s short stories. Can Tho University Journal of Science, 55(5C), 107–116.
Lefebvre, H. (2003). The production of space. Shanghai, China: Shanghai Education Press.
Lyotard, J.-F. (2007). The postmodern condition [Hoàn cảnh hậu hiện đại] (N. Xuyên, Trans.). Hanoi, Vietnam: Tri thức Publisher.
Lộc, P. T. (2007). Critical theory of world literature in the twentieth century [Lý luận phê bình văn học thế giới thế kỷ XX]. Ho Chi Minh City, Vietnam: Giáo dục Việt Nam Publisher.
Nguyễn, T. T. (2018). Ecocriticism and the Latin American magical realist novel [Phê bình sinh thái và tiểu thuyết hiện thực huyền ảo Mỹ Latin]. HCMUE Journal of Science, 15(5), 59–70.
Nguyễn, T. T., & Others. (2022). Linguistic and literature 10 [Ngữ văn 10], Vol. 2 (Chân trời sáng tạo [Creative horizon]). Ho Chi Minh City, Vietnam: Giáo dục Việt Nam Publisher.
Nguyễn, T. T. T., & Hoàng, C. G. (2023). Vietnamese landscape in literature and cinema: Cross-cultural approaches [Cảnh quan Việt Nam trong văn học và điện ảnh: Những tiếp cận xuyên văn hóa]. Hanoi, Vietnam: Hanoi National University Publisher.
Nguyễn, T. X. Q. (2016). Thạch Lam’s prose from a cultural perspective [Văn xuôi Thạch Lam dưới góc nhìn văn hóa] (Master’s thesis, Hanoi University of Social Sciences and Humanities). Hanoi, Vietnam.
Nguyễn, T. Đ. (2016). Autobiographical elements in the short stories of Thạch Lam and Thanh Tịnh [Yếu tố tự truyện trong truyện ngắn Thạch Lam và Thanh Tịnh] (Master’s thesis, Da Nang University). Da Nang, Vietnam.
Russell, W. P. (2009). Space in theory: Kristeva, Foucault, Deleuze. Amsterdam, Netherlands: Rodopi.
Showalter, E. (1981). Feminist criticism in the wilderness. Critical Inquiry, 8(2), 179–205. https://doi.org/10.1086/448150
Trần, T. P. P. (2009). Reading Chekhov – A multifaceted reception [Đọc Chekhov – Sự tiếp nhận đa diện]. Retrieved from http://khoavanhocngonngu.edu.vn/home/index.php?option=com_content&view=article&id=213:c-chekhov-s-tip-nhn-a-din&catid=64:vn-hc-nc-ngoai-va-vn-hc-so-sanh&Itemid=108&lang=en
Đỗ, H. P. (2020). Textual undercurrents in short stories and medium stories by A.P. Chekhov [Mạch ngầm văn bản trong truyện ngắn và truyện vừa của A.P. Chekhov]. Retrieved from http://nguvan.hnue.edu.vn/mach-ngam-van-ban-trong-truyen-ngan-va-truyen-vua-cua-apchekhov-1436
Đỗ, T. H. (2022). Imagining the countryside in literatures of the Eastern lands: Juxtaposing "Dưới bóng hoàng lan" ("In the Ylang-Ylang Shade," 1942) by Thạch Lam (Vietnam) and "Antonov Apples" (1900) by Ivan Bunin (Russia). Suvannabhumi, 14(1), 89–108.